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Minggu, 12 Maret 2017

Download Ebook , by Rosary O'Neill

Posted By: naldolisa03 - Maret 12, 2017

Download Ebook , by Rosary O'Neill

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, by Rosary O'Neill

, by Rosary O'Neill


, by Rosary O'Neill


Download Ebook , by Rosary O'Neill

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, by Rosary O'Neill

Product details

File Size: 3991 KB

Print Length: 241 pages

Publisher: The History Press (February 11, 2014)

Publication Date: January 23, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00XRLX51U

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Amazon Best Sellers Rank:

#45,756 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I picked this up for research on a novel I'm working on. My wife and I had our honeymoon in New Orleans, years before Katrina, and so I've always been fascinated with the city--even though I'm not a resident. That said, I had NO idea about the extensive history of Maris Gras and the krewes behind it. What an incredible journey into an exclusive subculture the rest of the country (or world) likely has no idea about. For lovers of history, revelry and the Big Easy--check this out.From what I can see, no other author has been able to have such incredible access to these secret societies and she does a delicious job in lifting the veil. Well done!

If you're at all interested in the "behind the scenes" world of Mardi Gras, this is a, frankly, astounding book. I've read quite a bit about mardi gras, and I haven't yet found a book that is so well researched and presented. You get a history lesson about the socio-economic position of the rich and poor, presented in context of the political machinations of every generation for the past 150 years. As if that weren't enough information, she has spreadsheets that break down the average costs of everything from annual dry-cleaning and alterations of tuxedos and gowns, to the beads and throws for both Old-line and New Krewes. A special chapter focuses on African American Carnival. While the Gay Tableau societies are mentioned more than once, this may be one area where I might have liked to had more information. But on the whole, the book is a BIBLE for anyone who wants to learn more about Carnival, or, if you're like myself and you have a business that caters to the people in the Mardi Gras world.

I was under the impression this had a lot of illustrations and it does not.

Great job, Rosary!

The book layout is choppy and not well laid out. Sections seem disorganized and very short lacking the detail I was looking for. We have gone to Mardi Gras every year in New Orleans for 15 years, but neither my wife or I found this book interesting.

I could say many things, but I will just stick to the two main reasons this book is misguided about Mardi Gras and New Orleans in general 1. this book has A LOT of inaccuracies. Some of the information is just flat out wrong. Locations and spellings are wrong (Jesuit High School isn't Uptown and is never called "Jesuits") 2. Racist references about minorities - "Jesuits (in reference to high school even though that makes no sense) have few Jews, but both have large enrollments that include African American and lower class boys." What the hell? What the literal hell? Did someone proof read this story? All of the above ridiculousness is from ONE PAGE OF THIS BOOK. I assume that you can imagine how the rest of the book unfolds. This book needs to do better.

I once toured the warehouse where they keep all the Mardi Gras floats and props. As a mask-maker and popular culture historian, I was in heaven.New Orleans Carnival Krewes: The History, Spirit & Secrets of Mardi Gras, by Rosary O’Neill, reproduces that heaven. It’s a behind-the-scenes look at the culture that created Mardi Gras in New Orleans. This unreconstructed Yankee was amazed.I recommend this book to historians of popular culture. I also recommend it to anyone who has ever been to Mardi Gras, or just to New Orleans. I recommend it to actors, directors, and designers—these folks can put on a show!O’Neill, an historian and playwright, interviewed at least 50 people to gather the “secrets” she chronicles. (She also read a fascinating bibliography of books.) As a native of New Orleans, she understands its culture; as an historian, she analyzes the social structure of her native city. With a wealth of detail, she brings us through the history of the carnival krewes to an understanding of how they work today.“New Orleans attracted the rich and the dreamers,” says O’Neill—from French aristocrats to Spanish conquerors to American entrepreneurs (along with their indentured servants and slaves.) Each group created its own aristocracy, and as the cultures melded, so did their love of theatre, balls, and extravagant celebrations.But the book gets really interesting as O’Neill describes the “old-line” krewes, which are all about inherited power and prestige. I learned that krewes come and go; that they affect, and are affected by, changes in politics and culture; and that they are expensive.Member dues range from $600 to $2,900. New Orleans spends more on ball gowns than any other city in the world. A single costume can cost as much as $6,000; the ball after the parade costs over $120,000. Debutantes from important families receive “call-outs,” or invitations to dance. They are, of course, groomed for this event from childhood.Of course, things have changed over the years, especially after Hurricane Katrina. “Super-Krewes” parties are egalitarian bashes. Women and African Americans have created their own krewes. Debutantes now become career women. But the parties continue.Judith Pratt is a playwright, director, and theatre historian.

I read everything about Mardi Gras and New Orleans that I can get my hands on, and there's a lot out there. This is specifically about the krewes of carnival and the role they've played historically, socially, and politically throughout the last two centuries. O'Neill even brings us the origin of masked balls, which started in Europe and were brought here by the French. The history of what most people think is just a big, drunken party is so much bigger and majestic and, sometimes, prejudiced and elitist.One point the author makes repeatedly is the changes to New Orleans and Mardi Gras since Katrina. It is not presented at all in victim-related terms, but that it changed carnival to be more inclusive and brought some of the community spirit more to the forefront.For anyone who is familiar with Mardi Gras, fascinated by NOLA and likes history, this is a gem of a book. Oh, and my walking krewe was mentioned, so hail KOE!!

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About naldolisa03

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