Ebook Download On Painting (Penguin Classics), by Leon Battista Alberti
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On Painting (Penguin Classics), by Leon Battista Alberti
Ebook Download On Painting (Penguin Classics), by Leon Battista Alberti
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About the Author
Leon Battista Alberti was the archetype of the Renaissance 'universal man'. Bron in Genoa in 1404, he belonged to one of the wealthy merchant-banker families of Florence, and was sent to boarding school in Padua where he received a classical Latin education. Graduating in canon law from the University of Bologna, he subsequently entered the service of the Church and became a secretary in the Papal Chancery at Rome. Taking holy orders, he returned to Florence in 1434, where his association with Donatello and Brunelleschi led to the book On Painting and his interest in the design of Churches. He died in Rome in 1472. Cecil Grayson was Serena Professor of Italian Studies and Fellow of Magdalen College from 1958 to 1987 and was honoured by numerous Italian academies. The leading authority on Alberti's written work, he was awarded the CBE in 1992. Martin Kemp has been Professor of the History of Art at the University of Oxford since 1995.
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Product details
Series: Penguin Classics
Paperback: 112 pages
Publisher: Penguin Classics; Reprint edition (July 2, 1991)
Language: English
ISBN-10: 0140433317
ISBN-13: 978-0140433319
Product Dimensions:
5.1 x 0.3 x 7.7 inches
Shipping Weight: 1.4 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#382,287 in Books (See Top 100 in Books)
Originally titled De pictura in Tuscan and published in 1435. This edition is a reprint of an edition published by Phaidon Press in 1972, translated by Cecil Grayson, with an introduction and notes by Martin Kemp. Reprinted with copious bibliographic notes with a revised further reading in 2004. I had this book for a Renaissance Florence history class, along with many other works on art, architecture, politics, commerce, and so forth. Though a short important book, I don't find it all that memorable. While I appreciate it as a seminal book in the historiography of literature, as a book that changed the world, it is not a subject of interest. One needs a comprehension of geometry to understand this book, something I lack. It is not a book I would have picked out myself. He occasionally uses mathematical terms that I don't know, such as Superbipartiens, for example. This book is described by Martin Kemp as embodying the twin aspirations of retrospective emulation and progression innovation (p. 19). It has three sections: rudiments, practice, and ends. Alberti used Classical Roman references in his work to support his arguments, especially Pliny's Natural History. So. like all the Humanists of his time, he relied on Classical writers and artists as models to emulate. The present edition includes comments on the translation by Grayson, as well as two dedications by Alberti. One to Filippo Brunelleschi, the other to Giovan Francesco, Prince of Mantua. Alberti says he divided the work into three parts. Part one is entirely mathematical, showing how art arises from roots with Nature itself. The second part puts art in the hands of artists, distinguishes its parts and explains them all. The third part instructs the artist on how he may and should attain complete mastery and understanding of the art of painting. Alberti wants the painter to be learned in the liberal arts, but above all to have a good knowledge of geometry. Then the painter should pleasure in poets and orators, for these have many ornaments in common with painters (p. 88). So what is Alberti's thesis? What is he arguing? He is merely giving advice on how to paint, not just the technique of painting, but on being a well-rounded educated person in the humanist perspective. He advises a moderate diligence, friends should be consulted, opinions from spectators should be heard. The painter's work is intended to please the public (p. 95). In his conclusion he boasts he was the first to write about this most subtle subject, as he puts it. It is an early work on painting, but perhaps not the first. However, it was highly influential with Renaissance artists.
I am glad that this book is available on Kindle and in print! Leon Battista Alberti was definitely the da Vinci of his lifetime! Many of his architectural and other works are still in existence in Italy. This treatise has been consulted by many great artists over the centuries, and Leonardo commented on it in his own writings. The diagrams are especially well done! If anybody wants to learn about the rediscovery of perspective in Western art, this is the book to get!
Great!
a classic edition of a classic.
This book is a little difficult to read seeing as how it was written a few centuries ago but good info if you can get through the language of the book. It was translated from old Italian.
Thanks, important resource book
Great
The historical relevance is significant in art history and the introduction by the translator makes it a great read. do not skip the introduction.
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